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James Hamilton Stanhope, le château de Heidelberg du Neckar - c.1819 aquarelle Une peinture à laquarelle originale c.1819, James Hamilton Stanhope, le château de Heidelberg du Neckar, Allemagne.
Une encre sépia merveilleux et lavis par le lieutenant-colonel James Hamilton Stanhope (1788-1825) datant denviron 1819. Stanhope a combattu largement en Europe pendant la guerre dEspagne et a été lun des moins de trente survivants sur 400 à la bataille de Waterloo. Le dessin montre le majestueux château de Heidelberg, située sur la partie nord de la colline Königstuhl au-dessus de la ville.
La signature accompagnant les croquis de Stanhope (photo à titre indicatif) correspond à celle sur une gravure signée à la main de Stanhope dans la national Portrait Gallery (NPG de D20616). Les croquis étaient dans la collection du fils de Stanhope, James Banks Stanhope (1821-1904) photo -voir de libris.
Avec grattage et met en évidence bodycolour blanc. Sur le papier de couleur chamois.
Details Signed: Non.Inscribed: Inscription au verso: «La Tour Fondue de Heidelberg.Dated: -Height (cm): 17.2 Width (cm): 25.7Height (inches): 6.77 Width (inches): 10.12Condition: En bon état pour son âge. tonifiant dâge mineur et légère usure aux bords du papier. Sil vous plaît voir les photos pour les détails. Le verso du papier est inégalement tonique due aux lavages appliquées à lavant.Presented: Unframed.Stock Number: JP-683All artworks come with a Certificate of Authenticity and—if it is a collection artwork—its accompanying collection text or artist biography.
Cette forme de dessin lavage partie dune collection fascinante de croquis européens que nous avons mis en vente par le lieutenant-colonel James Hamilton Stanhope (1788-1825). Ce sont des croquis fait en tournée, mais ils ne sont pas aquarelles-ils ordinaires Grand Tour sont les croquis sur le terrain dun soldat qui a été témoin de la guerre dEspagne et de la bataille de Waterloo. Plus jeune fils
Charles Stanhope, 3e comte Stanhope, James a rejoint larmée britannique âgé de seulement quinze par les conseils de William Pitt le Jeune (deuxième cousin du 3e Earl). Il a servi en Espagne, au Portugal, en Flandre et en France, agissant comme aide de camp du général Sir John Moore et Lord Lynedoch, avant dêtre nommé adjoint au quartier général dans la péninsule en 1813. Il a subi une blessure à mitraille dans la colonne vertébrale à la prise dassaut de San Sebastian en 1813, qui devait lui causer des souffrances immenses pour le reste de sa vie. Néanmoins, il est resté dans larmée, et en 1815 il a servi comme assistant à côté du duc de Wellington pendant la campagne de Waterloo. Il a participé à la bataille de Waterloo et mars après sur Paris
Il est touchant que les croquis, cependant, sont notamment dépourvus dune action militaire. Malgré le service il a été témoin, Stanhope trouve prêt sujet dans la paysages sublimes autour des Alpes et la vallée du Rhin qui ont attiré ses contemporains artistiques, y compris JMW Tourneur. Ses compositions se concentrent sur le potentiel dramatique offert par des gorges et cascades naturelles, souvent négligés par les majestueux châteaux et forts. petits personnages touristiques stratégiquement Stanhope nous situer dans le paysage et offrent un grand sens de léchelle.
Ces croquis ont une qualité rustique, le sens où ils ont été faits sur le terrain plutôt que polie après le un événement sens accru par leur coloration Pared dos et la texture grossière du vélin sketchbook. Le fournisseur de papier est Smith Warner & Co 211 Piccadilly, datant à 1800-1820 (lentreprise a déménagé à 208 Piccadilly en 1821). Smith, Warner & Co était un important fournisseur dartistes de la journée, et a été lune des trois entreprises Remarqué en 1811 par le maître de dessin et exposant Académie Royale John Burges Panier comme ayant des aquarelles portées à la plus grande perfection. De nombreux artistes remarquables ont utilisé leur papier, y compris John Varley, Eugene Delacroix et J.M.W. Turner, des exemples de travail dont portent la marque Warner Smith de 211 Piccadilly. Ces croquis peuvent être plus étroitement datés par leurs sujets entre 1818 et la mort de Stanhope en 1825: un dessin montre la citadelle de forteresse de Huy en Belgique qui a été reconstruit par les Hollandais en 1818, et on montre les étudiants de lUniversité de Bonn (Kurkölnische Universität ) qui avait fermé en 1797 et a rouvert ses portes en 1818.
en 1819, James Stanhope a visité lEurope en accompagnement de sa future épouse et sa famille, Frederica Louisa Murray, fille du comte de Mansfield-et aîné ces croquis très probablement la date de cette tournée. A cette époque, Stanhope était aide-de-camp au prince Frédéric, poste quil a occupé de 1815 jusquà sa mort. Et tandis que ses sujets de paysage ici montrent aucune présence militaire explicite, son point de vue ne peuvent être dissociées de laction à proximité il a été témoin: vue belge à Liège, Namur, Marche-les-Dames, Huy et Forêt des Ardennes, tout près de la rivière Meuse, stratégique si important pendant les guerres napoléoniennes. De plus, la collection comprend deux cartes de fortification militaires intéressantes, à peu près esquissée par Stanhope, montrant Fort dOrange à Namur et Fort Alexander à des plans Coblentz-méticuleusement annotées qui révèle ce qui est peut-être pour Stanhope un lien inextricable entre le paysage et champ de bataille dans ce Région. Dautres exemples de plans similaires Stanhope peuvent être vu dans ses publiées « Lettres et journaux », édité par Gareth Glover, 2010 (une copie dont nous avons disponible à lachat, voir notre numéro de stock JP-997).
Enfin, les croquis prennent un caractère poignant supplémentaire à la lumière des tragiques dernières années et la mort prématurée de Stanhope ans seulement trente-six. En 1823, nouvelle jeune femme de James, Frederica Louisa, est mort peu après la naissance de leur deuxième fils, qui a également succombé en quelques jours après la naissance. Grandement affligé, Stanhope déplacé dans Kenwood House, le siège de son père-frère, David William, 3e Earl Mansfield, et en 1825 a pris sa propre vie.
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